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How to {hang}

As we enter the 55th day of lockdown with restrictions easing in some places, perhaps the only thing which hasn’t changed in the last 8 weeks is a sense of uncertainty. There are days of worry, and days of hope. Through it all, we have been lucky to remain connected with our family, friends, colleagues, and the outside world through an increasingly important tool – the Internet. Our lives have taken on new forms, new routines, new ways of interacting, learning, reading, and being. How will we move forward? This question looms large on all of our minds. At Serendipity, we remain committed to keep the conversation around the arts going, and over the next month, are very pleased to bring to you a How To Series as we re-visit past projects, ponder over our present lives, and think big with future dreams in a series of newsletters and online conversations ranging from scenography to sound, storytelling to reading, performance to technology and so much more in between.

In “How to Hang”, we approach the question of how the coming together of a space, a person and a work of art can create new ways of seeing, thinking, and feeling. How does an exhibition display build affinities, relations, and resonances between different histories and peoples? Can showcasing an object in a different way lead us to understand everyday things, such as textiles and saris, in a new light? How is the “scene” of art produced, why do spaces that display and host art, through exhibitions and performances, entice a difference in feeling? As social distancing becomes the norm, where do we go to find these feelings again—how has our relationship to our own objects and spaces changed? How do we hold on to the moments of togetherness, fun, lightheartedness in the face of separation? Join us as we ask these, and many other questions, always together.


#serendipityconversations

As we increasingly rely on ourselves for sustenance, "how-to" videos, tutorials, and stories have gained prominence on the web. We extend the idea of care, sharing, and reliance that motivates these practices to the world of art, as we enter the minds, processes, and strategies used by curators, artists, and experts to bring their visions to life. Each week we approach a new "how-to": exploring the complexities of art through approachable, close-to-life conversations.

Curation & Scenography : The Yin & Yang of Experiential Exhibitions

Panelists: Pramod Kumar KG and Aparna Nambiar

Pramod Kumar KG is the co-founder of Eka Archiving Services, India’s first museum advisory firm that provides its services to a range of institutions/collectors and collections. He has worked with a vast range of artefacts that vary greatly in their materiality, besides helping with nuanced aspects of cultural and heritage management. Pramod is also the founder-director of the Anokhi Museum of Hand Printing at Jaipur. He instituted the Jaipur Literature Festival and is currently the co-director of Mountain Echoes, the Bhutan Literature Festival. He has curated shows extensively across India and internationally, and has lectured across the world including at the Metropolitan Museum of Art (New York), and School of Oriental and African Studies (London). He is a published author and has also made contributions to several edited volumes besides journals, magazines and other publications.

Aparna Nambiar is an exhibition design graduate from NID, Ahmedabad, specializing in museums, exhibitions, interactive spaces, and cultural experiences. Aparna has an active interest in design thinking and storytelling through spaces. She uses design as a tool for cultural conservation and outreach by designing environments and experiences that make art, culture and heritage more accessible to audiences.

Her diverse experience of 15 years in exhibitions, events, installation design, graphic design, set design and branding has helped build a multidisciplinary approach to her projects. She joined Vertex inc as a partner in 2015.

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While the curator creates a narrative that they think needs to be shared with the larger world, it is most often the scenographer who gives a visual vocabulary to the idea. The audience almost always sees the end narrative via the filter of the scenographer. This conversation hopes to bring to light the journey of a collaborative process where narrative and aesthetics deal with trust and control towards a combined understanding of a singular vision. Detailing this common idea needs points of cohesion between two kinds of processes. This exploratory talk shall also examine and bring to the fore points of dissonance and its negotiation while a project is underway.

Watch the conversation again on Facebook!

Exhibition Site as Learning Ground

A conversation between Vidya Shivadas & Sanchayan Ghosh

Vidya Shivdas is a curator, and director of the Foundation for Indian Contemporary Art (FICA) in Delhi. FICA is a not-for-profit organization that supports creative practitioners, researchers, curators and educators working in the field of contemporary art alongside developing education and outreach programmes. Since 2005, Shivadas has curated exhibitions at Vadehra Art Gallery, Kiran Nadar Museum of Art, Devi Art Foundation, Edinburgh Arts Festival and Serendipity Arts Festival. Shivadas has been a visiting faculty at School of Culture and Creative Expressions, Ambedkar University Delhi, since 2013.

Sanchayan Ghosh received his Masters in Fine Arts from Kala Bhavan, Santiniketan in 1997 and currently works as an Associate Professor, Department of Painting, Kala Bhavan, Visva Bharati University, Santiniketan. Over the years, Sanchayan has been interested in site-specific art and has done extensive work in space designing for experimental and contemporary theatre. Through his continuous exploration in site-specific interactive art practice, Ghosh has over the years been exploring spaces between institution and pedagogy and succeeded in extending art and performance from institutional spaces to public situations. In 2018 he was part of the Students' Biennale curatorial team which was held at Kochi.

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In the last few years the educational turn has been of great interest to curators working in the field of exhibition making.  The discussants for this panel will present some of the artistic and curatorial projects they have developed with art students and young practitioners. They will also touch upon exhibition platforms they have worked on together like Call to Disorder: Experiments in Practice and Research, held at Serendipity Arts Festival 2019, and Students’ Biennale 2018.

Watch the conversation again on Facebook

Public Art as Civic Intervention: Bhubaneshwar Art Trail

A talk by Premjish Achari

Premjish Achari is a Curator, Writer and Translator based in Delhi. His translations have appeared in Indian Literature published by Sahitya Akademi. He has initiated an independent curatorial platform called Future Collaborations aiming at theoretically and politically informed curation. He has received the prestigious Inlaks: Take on Art Travel Grant for Young Critics in 2016. He was the Fellow for Curatorial Intensive South Asia (CISA) 2017, at Khoj International Artist’s Association. In 2018 he received the prestigious Art Scribes Award by Prameya Art Foundation for developing new curatorial paradigms. As part of the award, he attended the residency at the acclaimed Chateau de la Napoule in France.

He is the Co-Curator of the public art exhibition ‘Navigation is Offline’ along with artist Jagannath Panda as part of Bhubaneshwar Art Trail 2018. His recent curated shows are ‘A Time for Farewells’ at the Haverford College, Pennsylvania in 2019, and ‘Workers and Farmers: A Panorama of Resistance’ at Khoj, Delhi 2018. Achari is a regular contributor for Art India and Take on Art.

He is a Visiting Faculty at Shiv Nadar University where he teaches art history and theory. He is pursuing his PhD titled “Temple Arts of Medieval Kerala: Constructing a Regional Identity” from School of Arts and Aesthetics, JNU, India.

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“Navigation is Offline", co-curated by Jagannath Panda and Premjish Achari was the first edition of Bhubaneswar Art Trail (BAT 2018), a contemporary public art exhibition held in the Old Town of Bhubaneswar, Odisha. Through this talk, Premjish discusses the challenges in creating a contemporary public art exhibition in a temple town and shares the experiences in negotiating the antagonisms of the diverse communities, opening up the multiple worlds which exist in the city while attempting to foreground the voices of the marginalised.

Watch the talk again on Facebook!

Composite Arts Practices - Emergent Positions

Conversations between Rahaab Allana, Dr. Mark Sealy, and Nathalie Johnston

Rahaab Allana is Curator/Publisher of the Alkazi Foundation for the Arts (New Delhi); Fellow of the Royal Asiatic Society (London) and Honorary Research Associate at the University College (London). He has curated various lens-based exhibitions, working with institutions and festivals internationally. He is the author of Inherited Spaces, Inhabited Places (2010); and has served as Guest Editor for Marg and the Lalit Kala Akademi Journals on photography specific issues in the past. He is also the Founding/Managing Editor of PIX, a theme-based photography initiative and exhibitionary platform now in its tenth year; and is Guest Editor for a forthcoming issue with Aperture Magazine.

Dr Mark Sealy MBE, is a British curator, writer, and cultural producer with a special interest in the relationship between photography and social change, identity politics and human rights. Since 1991, Sealy has been the director of Autograph ABP, the London-based non-profit photographic arts agency dedicated to highlighting issues of identity, race, representation, human rights and social justice. Autograph produces publications, exhibitions, supports residency projects and commissions new work by artists primarily using media of photography and its expanded applications. He is currently serving as a Principal Fellow at Decolonising Photography, University of the Arts London.

Active in Myanmar since 2009, Nathalie Johnston is a curator and researcher currently living in Yangon where she has been involved in numerous independent projects and initiatives. In 2016, she founded Myanm/art, an exhibition space, gallery, and reading room dedicated to promoting contemporary art in Myanmar by developing collaborations and showcasing artists’ works to local and international audiences. In 2013, she co-founded Myanmar Art Resource Center and Archive (MARCA), an archive and resource centre that aims to become the largest bilingual digital resource on the history and current state of the arts in Myanmar. Johnston is also the director of the art initiative TS1 Yangon and co-founder of Pyinsa Rasa art collective.

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The three arts professionals discuss ongoing strategies at work, as well as prior engagements within the visual/lens-based field, in order to explore the new place and modes of representation that can be envisioned in the future - how we may intuitively or creatively grasp all that is beyond the frame in our current times.

Watch the conversation again on Facebook!


#SAFthrowback

This week, we re-visit three very different exhibitions showcased at Serendipity Arts Festival 2019.  The beautifully displayed Weftscapes: Jamdani Across New Horizons, curated by Pramod Kumar KG, examines a fresh approach to the creation and making of Jamdani fabrics, both in its weaving, choice of raw materials, colour, patterns, designs and the end product – a finished garment.

Look, Stranger!, curated by Rahaab Allana, looked at lens-based practices in the South Asian region, influenced by the technological ethos of the turn of the last century. Drawing an arc of inquiry from the Film und Foto (Fifo) display in Stuttgart, Germany in 1929, to experimental contemporary photography from South Asia, the display sought to identify concerns around the persistence of certain modernist historical trajectories.

Call to Disorder: Experiments in Practice and Research, curated by Vidya Shivadas, was the culmination of a three year collaboration between FICA (Foundation for Indian Contemporary Art) and SAF, looking at different focus aspects each year such as light, sound, site, movement, creation of narratives via mediums of zines, comics, installations and video in a post academic space.


P.S. Out of the Blue

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Over the next few weeks, we’ll bring you fun and interesting suggestions to while away some time on the Net.

Feeling lazy to make your own art? Here’s a recommendation from the SAF family baker (and Senior Manager), Nandita - become a work of art yourself! Thanks to this masterpiece of a site by AI web developer Sato, turn your selfies into different styles of Renaissance oil paintings. You can also transform into a pixel version of yourself on a site also developed by Sato! Our resident DJ, Moakshaa, who is also one of our Programmes Manager, has had us making crazy tunes on this website, created by Daniwell. Your keyboard turns into various notes and the screen has a corresponding geometric design, when you hit a key. Don’t blame us if you find yourself dancing to your own music! Since you already have your earphones on, don’t miss the astonishing binaural sound in Complicité Theatre’s The Encounter with Simon McBurney, highly recommended by our very own dancing queen/Senior Programmes Manager, Nitya. Keep in mind, the performance is only on till Friday 22nd May. Lastly, the British Council India in partnership with FICCI and the Art X Company has launched an survey to track Covid-19 and its impact on the creative sector in India. Please spare a minute and take the survey. Thank you and see you next week!

 

Reading and Resources Library

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We Love Panjim!

With Jack Sukhija and Atish Fernandes

Jack is a 41 year-old who tries to overcome his mid life crisis by wandering the bylanes of Fontainhas, pretending to be a history enthusiast. he often ends his day by trying to be one of the cool millennials at Panjim’s favourite watering hole, Joseph Bar.

Atish Fernandes, wannabe restaurateur, motorcycle enthusiast, and Feni aficionado, is on a mission to get people hooked on to craft beer and wearing helmets while riding. He is also a tour operator and DMC entrepreneur. Famous in Goa for his knowledge about the best Xacuti joints, he’s our go-to for anything food and fun.

Join Jack Sukhija and Atish Fernandes as they take us to the lesser known Bairro São Tomé, followed by a stroll through Fontainhas. The main focus will be on the city’s unique, hidden gems, people, and establishments that often don't get the attenti…

Join Jack Sukhija and Atish Fernandes as they take us to the lesser known Bairro São Tomé, followed by a stroll through Fontainhas. The main focus will be on the city’s unique, hidden gems, people, and establishments that often don't get the attention they deserve.

Join us on Saturday, May 23rd, 6:30 PM IST on Instagram Live


Courses and Learning Portals

We recommend the following courses and online resources to expand your skill sets!

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Support the Arts

IN IT TOGETHER | The Art Fundraiser for COVID 19 Relief is an artist-led initiative supporting relief efforts by Goonj & Karwan e Mohabbat


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